Lil’ Wayne’s affinity for his own penis is second only to his love of cunnilingus. In Wayne’s defense, he’s usually giving it, but he only ever uses the term “pussy” to describe it, so he’s a mere 1 for 2 with any feminist fanbase he didn’t alienate with “She Will”. That hierarchy may not be letter perfect, but it’s a good guide to the sort of content you can find on Human Being II number one, in particular, is quite accurate, as this record seems to be primarily about oral sex. This forms the core of Lil’ Wayne circa 2013. * For the purposes of this album, an unspecified (but, evidently, tenacious) group of antagonists. Weezy speaking about himself in the third person, often using alter ego “Lil’ Tunechi”.ĥ. Graphic descriptions of the female anatomy.Ĥ. Lyrical concepts prevalent in I Am Not A Human Being II (in descending order of estimated frequency):ġ. Why focus on the dick jokes, you ask? Certainly Lil’ Wayne has other lyrical content up his sleeve. It’s one of approximately 1500, and I honestly believe that’s a conservative estimate. “I’m in the crib buck-naked, bitch”, Weezy lazily raps, right before making the first dick joke of I Am Not A Human Being II. It’s an abstract, fundamentally interesting experiment - that is, except for Lil’ Wayne himself. No 808, no canned drums, just piano and voice that’s par for the course in the singer-songwriter world, but practically unheard of in hip-hop. Rather, it’s a morphing, free-form piano piece that Lil’ Wayne eventually raps over. “IANAHB” opens the record with a flurry of ominous piano chords it seems as though it’s setting the stage for a dark, piano-laced beat, but the beat never kicks in. Like, legitimately cool from a musical standpoint, not merely cool in the sense that Lil’ Wayne fans tend to cling to that ludicrous period of time where people were calling him the greatest rapper alive. For a few brief, shining moments, Lil’ Wayne’s latest album flirts with being cool.

Lil wayne ianahb2 instrumental